![]() It was quite enhancing to experience how all the strings combine to generate an effect which may be expected from the wind instruments as well. In most stages, the string section turned out to be massively delightful with players alternating between violins and cellos in successive crescendos while they mellowed and even out smoothly via flute work of about two or three players. As the orchestra proceeds to initiate with a 19th-century piece by Johannes Brahms, dramatic progressions entered with a surprising tempo which felt as if listeners could be drawn to an instant lift of adventure. Basically, the musical score and instrumentation had been worth the stimulating watch especially on understanding that people from diverse culture had come together for an interactive, creative, and fluid presentation of a classical music. Thomas pointed out further during the introduction that such a huge project almost confused his direction with the themes that it even became overwhelming to realize a number of possibilities that would determine the final shape of their product. Being the first collaborative online orchestra held at the Carnegie Hall in April 15, 2009, the event depicts a milestone of rare conference among musicians who, according to conductor Michael Thomas, demonstrate incredible passion for classical music and how much it speaks to them like a remarkably sensible universal language. Concert Review of Act One: YouTube Symphony Orchestra at Carnegie Hall The exquisite musical performance rendered through Act One of the Youtube Symphony Orchestra managed to have gathered 96 instrumentalists from different nations of the world.
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